These are just the thoughts I had while reading, "Teaching writing as a process, not product.” This ended up being a little longer than I intended, so I apologize for that! And since this is just about one of the articles we were supposed to read, I may not post my thoughts on the second one ("Writing at the turn..."), simply because I had so much more to say about this one. But I haven't decided yet. The format is a bit informal because I simply wrote things down as they came to mind. The main set-up is the quote that triggered a though, and then what that thought was + all subsequent thoughts that followed.
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“Literature is finished writing.” Never thought of it that
way. Also interesting to see writing and literature combined like
that, considering they are often divided.
“Autopsy,” interesting analogy. Sounds like the author
subscribes to the idea that teachers are supposed to destroy writing in an
attempt to correct it. However, it could also imply that a teacher is so knowledgeable/
they need know their subject inside-out before they can teach it to others.
“Destroy” literature to prove our own skills. Interesting. Makes
me think of when I was younger, and the teacher would say, “What did [Author]
mean when he wrote ‘X’?” and we, as children, wondered how the teacher knew the
author meant anything at all. Or if, perhaps, they were just assigning random
meaning to words for the sake of education. But reading this passage now, I
think, maybe the author means a technical dissection—analyzing components until
the magic is dead. By “magic,” I mean what makes the piece captivating. The rhythm
and rhyme of a sonnet is less impressive when you sit down and study the
formula used to produce it.
Autopsy analogy coming together now. It’s a bit ironic,
honestly. Shows the attempt to rip writing apart to make it better. But not rip
it apart as in destroy, but rip apart more like to break down and fix individually
malfunctioning pieces.
“Much of it brilliant, some of it stupid, all of it irrelevant”
– this is really an amazing thing to say about a teacher’s feedback simply
because it doesn’t really undermine what teachers do. It is able to recognize
the struggle and correctness of the feedback (how it actually could be
helpful), yet how its power and helpfulness is nullified altogether by the
educational system.
Finally, “we are teaching a process.” This is the flaw
within the educational system. It is about the formula, not the end-product.
“Teach unfinished writing” – unconventional and a very good
idea. Helps students understand that potential can come from anywhere and their
writing is not a summary of themselves, but rather, a journey to their own budding abilities.
“discovery through language we call writing” – correlates back
to last Monday’s discussion about how writing allows people to explore
themselves.
Like the idea of having a loose process—a formula that can
be altered to every person’s writing style. Pre-writing can be literally
anything, can come in any form at all. I also like that rewriting can be “demanding”
and “satisfying.”
“shutting up”—the hardest part of teaching honestly. I have
tutored and helped others write, and it is very difficult to prevent yourself
from projecting your own words, thoughts, practices, on someone else. Especially
if that person is looking to you for help. It is so very hard to get someone inexperienced
or unpracticed to access their own words. This is a great challenge facing
teachers. What makes it so hard is that not interfering with the student is
what will ultimately lead to them developing their own style. Also, implication
5, allowing students to choose their own form of writing is very important. As
discussed in Monday’s class, the “5 paragraph essay” doesn’t work for
everybody. But perhaps it would be easier on those who hate it if they had been
given the chance to develop their own style first. Something like journaling
could resonate more with a student (also discussed in class) and this could
lead them to developing a system that could be used in academic writing.
Acknowledging student’s decision to make suggested changes
is something I’ve often practiced, but never put a name to. I have frequently
ignore changes from teachers because I believed that it interfered with the
vision I had. My work is, before anyone else’s, my own and I often refused
advice from teachers in high school and occasionally in college. Ironically, teachers
didn’t remember suggesting changes. There have been at least 2 occasions in my
life where I kept a designated “mistake” and turned the paper in anyway, just
to receive praise for the “mistakes.” A paper needs to be as individualized as
the writer. What helps me remember this most is when I think of bestsellers. They
are bestsellers because…why? Because they did something different. They stood
out. Nobody told them “do this, do that, but DO NOT do THAT.” They did what felt
right and it paid off. This could be something teachers keep in mind to help
prevent creative intrusion.
“No rules, just alternatives.” Nicely said, and if it were
me, I would have ended the piece on that.
Final thoughts: I liked this piece quite a bit. I feel it
covered a lot of ground in a small amount of space, which, as a working college
student, I greatly appreciated. I felt the information was innovative and very
clever. It was an interesting take on some ideas that were already circulating
the English community. What I liked best about it was its suggestions were not
radical in the slightest. However, one can clearly see how dramatic the results
would be if these simple changes were made.
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